This is the first time I’ve painted Bobwhite Quail. I’ve had some requests for quail paintings, so this is my toe-in-the-water dip into that audience. How many I’ll do depends upon the market for quail paintings.

~ Nature Artist in Kingston, Arkansas ~
All of my paintings feature Ozark pigments I’ve collected by hand and processed into paints. I use titanium oxide pigment to make white for adjusting and blending oil paints made from the Ozark pigments.
When I travel, I also gather rocks from those locations. When I make paint with rocks from other locations, the scene will be one from the homeland of the pigment, and the pigment sources will be specified in my process page or product listing if they are not Ozark colors.
The posts below are from my blog and have to do with my art-making.
This is the first time I’ve painted Bobwhite Quail. I’ve had some requests for quail paintings, so this is my toe-in-the-water dip into that audience. How many I’ll do depends upon the market for quail paintings.
On Sunday Rob and I went to see the galleries and exhibits at the Katara Cultural Village. I decided to make my journal entry image around one of the architectural features I found interesting, but there were so many other …
It’s been on my list to do for a while and piqued my interest even more after one of the monthly meetings I attended last year with the Artists of Northwest Arkansas. In particular it was the ones Ruth Lawlor…
Opening dates for the Big Sur Convergence show in Salinas, and a preview of my tiny little prints.
If you’re in the neighborhood, the opening for the Convergence show in Salinas, CA is on Feb. …
Skip right to the discussion for your workshop: email me at madison@wildozark.com. I’ll bring my stash of Ozark pigments and rocks, or we can go foraging on site at your location. Plus, I’ll bring all the materials needed to make …
Last year I had a lot of plans for a variety of different products. This year I’m streamlining a lot. 2020’s new products plan is an effort to reduce costs and effort and increase sales and income. My next post …
My two goshawk paintings, Rhapsody and Goshawk No. 1 are heading west! Both were accepted to the Convergence Show put on in conjunction with the Big Sur Land Trust and California State University in Monterey Bay. They’ll be hanging at …
I have a few dates to announce for January exhibits and events. First up is a pop-up exhibit on Jan. 9 at the Rogers Experimental House during the Downtown Rogers Art on the Bricks. I’ll be there with original works …
The color in the Osage root bark is quite vivid and I’m trying to capture that pigment.
My first attempt wasn’t very successful. I used water to try and extract the orange. I simmered it on low heat, then strained …
This one was an experiment to see if I could let go of my self-imposed restraints a little. I wanted to produce something different. Both of my sons took one look at it and shuddered. “You should stick to birds, …
I made bone black, from a cow vertebra that I charred inside a small tin inside the wood stove. Previously I’d used charred wood from hickory and oak. It has been a difficult paint to re-wet and it never reached …
Today I’m working on a few 9 x 12″ prints, and the idea occurred to me that the process of making mounted prints might be something you’d like to see. There’s a bit of work involved with making these, but …
Early this morning my friend moved through the doorway of this life and into the realm of whatever lies beyond. And because making paint is meditative to me, that’s what I did for most of my time today.
Today I made several different shades of paint from red sandstone.
When I make a paint from a pigment-rich stone, like this one, rather than waste what is left on the plate after mulling and scraping up the paint, I’ll …
Today I experimented with Osage root bark to see if it will make paint. Ordinarily, I avoid using plant pigments because they tend to be fugitive, meaning they fade or discolor with time. Some plant pigments, like the green I …
Somehow I forgot to make a post for the exhibit of this painting. Destination Unknown is my painting of a red-tailed hawk taking off from a weathered fence post. All of the pigments are light fast and of Ozark origin. …
I’m so excited to announce that my ‘Working the Dark Waters‘ fantasy painting is going to hang in the November Group Art Show at the Jones Gallery in Kansas City, MO for the month of November.
This one, …
There is one precious source for a certain color I don’t use often or in large quantities. My new Driftwood Palette collection I’m calling ‘Blood of the Ozarks’ contains some paints with some of this color.
Unadulterated with other pigments, …
I’m a little late getting the process post for this one written. Ponca in Summertime started out plein air. I went out there one morning in mid-August with my Ozark pigments, easel and a chair with the plan to just …
I’m pleased to announce that three of my Paleo Paintings using Ozark Pigments and handmade watercolors are invited to hang at 1894 Gallery for the Heritage Heart and Arts exhibit in Texarkana, AR. Dates are October 26 through November 30.…
So I’ve been applying to various shows and exhibits since I finally have more than a few paintings I can enter. Most of the application process is straightforward – name of the work, name of the artist, price, medium, size, …
I think the color brown is vastly underappreciated. Think about it. It’s the earthiest of our earthy colors. The base of all the palettes of nature. Something that exists in such abundance is also called ‘ubiquitous’. By its very virtue …
Little details can boost buyer confidence. A certificate of authenticity is an inexpensive, meaningful perk that packs a lot of visual punch. I decided to make one for my prints and originals, because I thought it would look nice with …